Applications of Sustainable Architecture


Applications of Sustainable Architecture

‘Sustainability: What it means regarding Architecture’


This thesis considers what sustainability ways to architecture, and how architects may utilise their knowledge to never only ensure a greener future for buildings, but to promote a better understanding of durability on a far wider level. The areas under study contain an appraisal of the techie, social, and financial along with energy-saving aspects of sustainable improvement. Research proposes that thorough research and study into what sustainability means can help the concept to become more fully understood and much better implemented in industry. Studies secondary, and uses three case studies which I include selected for their relevance to be able to my design interests as well as which I believe represent an exceptional and innovative approach to the thought and interpretation of durability in architecture.


Modern definitions of sustainability declare that it is a generic term which usually encompasses many areas of society and industry, including complexes, transport, and public living space. ‘Sustainable architecture’ has been defined as a ‘cultural construction for the reason that it is a label for a edited conceptualization of architecture … A ‘sustainable design’ is a creative variation to ecological, sociocultural as well as built contexts (in that order of priority), supported by credible cohesive arguments. ’ This dissertation seeks to cope with and discuss the varied ways that they sustainability relates to architecture, which includes physical constraints, impact regarding sustainable design, political in addition to social trends and needs, and the availability of resources with which to construct sustainable architecture. For architects sustainability and its implications are becoming of great value and importance – ultimately adjusting the direction of architecture as a discipline and simple science. I believe that the expression sustainability is a term thrown around very often without much considered as to what it means often because this is a concept of such great detail – with potentially world-changing consequences – and that the notion requires far more research when it is to be fully implemented on the mass scale.

Throughout this thesis, My partner and i seek to define my own professional and creative interpretation regarding sustainable architecture by evaluating and learning from the work of others. In my building of the thesis I have simplified these interests to focus on a few key areas as manifested by three chosen circumstance studies. These are to include:

  • Chapter 1. Technical sustainability: Werner Sobek

This kind of chapter examines how A language like german engineer and architect Werner Sobek has integrated self-sufficient technical features into the form of his ecological home. Typically the social housing Bed Zed project in London is also looked at for its contributions to developing a clearer understanding of how designer might incorporate sustainable technological innovation into their designs.

  • Chapter Two. Societal Sustainability: Seattle Library OMA. This chapter considers the effect and function of the public constructing for the immediate neighbourhood, and also why the development is socially important.
  • Chapter Three. Cost effective and Energetic Sustainability in Beddington.

This chapter examines the main element features of the Bed Zed project and what energy-saving and fiscal incentives the project provides to the wider community. Today one of the most well-known sustainable interpersonal housing developments, designed by Costs Dunster Architects, Bed Zed provides a useful and insightful new point of comparison for that other studies. This allows myself to assess the changes and developments which sustainable development possesses undergone over the last decade.

Chapter One: Techie Sustainability: Werner Sobek

As outlined by Stevenson and Williams the main objectives involving sustainability include significantly minimizing greenhouse gas emissions, lessening resources, creating well-structured and cohesive communities, and keeping a consistent and successful economic system. For architecture these principles have opened up a new sector involving use of alternative generally re-usable materials, which offers often the architect space to experiment with brand new designs. A considerable body of study exists into the best using construction materials, offering guidance to architects and construction companies. For example , in 2000 The Building Research Establishment printed a paper called a ‘green’ guide to construction materials which usually presents Life Cycle Analysis studies of various materials and the environmental impacts. Whereas Strength Efficiency Best Practice with Housing have already established by way of research that there is global tension to ensure that construction materials are generally sustainable.

Sobek’s design of his own sustainable property has been described as ‘an environmentally friendly show house of precise minimalism. ’ Its principal design is of a dice wrapped in a glass safeguard, where all components are recyclable. The most obviously ecological technical feature is the building’s modular design – a glass panels and a steel framework, which forms a lightweight composition. Sorbek’s work illustrates a superior degree of thought behind often the architect’s conceptual understanding of durability. Sorbek has obviously thought about what sustainability means and possesses implemented his knowledge to generate an example from which future enthusiasts will learn. In Sobek’s function we see the high degree that he has embraced new technology to make sophisticated use of new resources, while also maximising end user comfort by incorporating sensor and controlling technology. Furthermore, using arbitrarily convertible ducts makes the use of traditional composites unnecessary. Thus, Sorbek is developing the discipline of lasting architecture, branching out in to bolder, and stranger patterns, which displace the functionality in addition to detract saleability from regular designs.

Within contemporary sustainable designs at this time there needs to be a regularity and simplicity of form instructions as this seems best to reveal the sustainable philosophy on the architect. As Papenek stated of the designs of ecologically very sensitive projects: ‘common sense must prevail when a design is actually planned. ’ Considering the example of Sobek it is clear this sustainable building – while fairly simple – can even so draw from a range of theoretical models in its designs. Like the influence of conventional, even classical traditions will never be entirely absent from modern design; moreover contemporary environmentally friendly designs require a re-assessment connected with architectural theory and process. As Williamson et al phrases it:

‘’green’, ‘ecological’, and ‘environmental’ are labels that convey the notion that the design of buildings should fundamentally take accounts of their relationship with and also impact on the natural environment .. trademarks refer to a particular strategy employed to achieve the conceptual outcome, and also the strategies that occur in the discourse must be understood while instances from a range of hypothetical possibilities. The promotion of a restricted range of strategic options regulates the discourse as well as the ways of practising the control .. Overall, practitioners modify their own concept of their discipline to help embrace these new subjects, concerns and ways of train. ’

Ways in which these theoretical influences can be expressed include experiments with symmetry, and regularity regarding form. Very often, as demonstrated by Sobek’s work, typically the sustainable features require particular areas of space which can be single under the more common purpose of functioning collaboratively. At Bed Zed in London any aesthetic short-cuts are more than compensated regarding by the provision of its renewable energy. Forms, although not committed or ornamental do stick to the Vitruvian principles associated with symmetry, where symmetry pertains to:

‘A correct agreement between the members from the work itself, and relationship between the different parts and the full general scheme, in accordance with the part selected as common. ’

In the BedZed project the regular structure, consisting of the assimilation of several component parts, reflects the particular sense of collaboration among the different companies which become a member of forces to create BedZed, and also the community feel amongst the people who live there. There is certainly feeling of completeness, deriving from the occurrence of many different units, fortified by sustainable features, just where vents of varying colours detract from the strict regularity of forms, creating a light-hearted and ‘sunny’ aspect. Get and symmetry are important to the design, as those principles the amalgamation regarding materials and technological device has the potential to look sloppy. In both Sorbek’s project with Beddington the presence of many home windows, and solar panelled rooftops, will come to symbolise not only a lost tradition of architectural mastery, but the securing of conceptual ideologies which aim to merge practicality with ecological audio principles and materials.